By idi.mara
Last Updated: April 4th 2025
Sunlight filters through blue-green water as we descend, revealing shapes on the ocean floor that shouldn’t be there. The Yonaguni Monument, whether a natural geological marvel or the remnants of an ancient civilization, continues to captivate the imagination of scientists and explorers alike. Its mystery speaks to a universal human desire to uncover lost histories and understand our place in the world.
From the Pacific shores of Japan, rumors of an “underwater pyramid” beckon scientists and adventurers alike. Until further evidence surfaces, the monument remains a testament to the delicate balance between scientific inquiry and the age-old allure of the unknown. In this article, we journey the mysterious submerged site – places where geology and myth entwine, and where every dive feels like time-traveling into a lost world.
It was a crisp afternoon in 1986 when Kihachiro Aratake, a diver and tour operator, first stumbled upon the enigmatic structures lying beneath the waters off Yonaguni Island, Okinawa Prefecture. What he saw resembled a vast stone complex, with flat terraces, angular steps, and what appeared to be pillars. Aratake's discovery soon sparked widespread interest, attracting archaeologists, marine geologists, and divers eager to see the so-called “Japanese Atlantis” for themselves. The site, located approximately 25 meters below the surface, encompasses an area of roughly 150 by 40 meters – a titanic formation standing nearly 27 meters high. The edifice’s structure is reminiscent of step pyramids found across ancient Mesoamerican and Mesopotamian sites, adding to its intrigue.
Initial surveys revealed sharp-edged platforms and rectangular formations that defied easy categorization. Marine geologist Masaaki Kimura has been one of the most vocal advocates for the monument’s man-made origins, proposing that it may date back over 10,000 years, possibly constructed during the last Ice Age when sea levels were significantly lower. His theory is based on the monument’s geometric precision, which he argues is too structured to be purely natural. Furthermore, Kimura claims to have identified what he believes are pathways, walls, and even sculptures resembling animals – all allegedly created by an unknown ancient civilization. Despite his assertions, mainstream geological studies continue to contest these findings, attributing the formations to natural processes.
The Yonaguni Monument remains a captivating enigma, with its geometric terraces, broad platforms, and sharply defined steps sparking fierce debates over its origin. Proponents of the man-made theory, led by marine geologist Masaaki Kimura, argue that the structure’s architectural-like features resemble ancient ceremonial complexes, with broad plazas, carved channels, and even engravings suggesting a sophisticated culture dating back over 10,000 years. The monument’s flat-topped platform evokes images of ziggurats or temples where rituals or communal gatherings might have occurred, reinforcing theories of a once-thriving society lost to rising seas. Critics, however, contend that these formations are the work of natural processes. Geologist Robert M. Schoch argues that the region’s seismic activity and sandstone erosion could easily produce such strikingly geometric patterns. According to Schoch, the absence of artifacts such as pottery or tools supports the natural formation theory, as structures shaped by tectonic shifts and sedimentary fractures could mimic artificial designs without any human involvement.
Exploring the Yonaguni Monument firsthand is both thrilling and disorienting. Beneath the crystalline waters of Okinawa, divers encounter monolithic stone slabs arranged with a precision that seems almost intentional. Yet, the strong, unpredictable currents and the occasional presence of hammerhead sharks inject an undeniable wildness to the experience, heightening the site’s mysterious allure. Masaaki Kimura’s numerous expeditions, bolstered by high-resolution sonar mapping, have only deepened the intrigue, as proponents of the artificial theory seek proof of a lost civilization hidden beneath the waves. But for many divers, the magic of Yonaguni lies not in proving or disproving human origin but in the sheer awe of swimming over terraces and staircases that defy expectation. The monument’s allure endures precisely because it resists easy categorization, leaving room for both scientific rigor and the irresistible pull of myth.
The Ryukyu Islands, with Yonaguni as their westernmost sentinel, have a rich history of human habitation and cultural development. Archaeological findings across these islands reveal a tapestry of unique cultural practices, distinct from mainland Japan. Some researchers propose that the Yonaguni Monument may be connected to an ancient civilization predating known Ryukyu cultures. They suggest that the structure could date back approximately 5,000 years, a period when sea levels were lower, potentially exposing land bridges between these islands and the Asian continent. He posits that the monument's features, including what he interprets as castle-like formations and temples, indicate a sophisticated society that once thrived in the region.
Critics, however, argue that there is a lack of concrete archaeological evidence linking the monument to human activity. They point out that, despite extensive underwater exploration, no artifacts such as pottery, tools, or inscriptions have been discovered to substantiate claims of an ancient civilization associated with the structure. Furthermore, geological studies suggest that the monument's features could result from natural processes, such as tectonic activity and erosion, common in the seismically active region of the Ryukyu archipelago. This ongoing debate underscores the need for further interdisciplinary research to unravel the true origins of the Yonaguni Monument and its possible connections to the ancient peoples of the Ryukyu Islands.
While enthusiasts may delight in the idea of an ancient civilization, the scientific community remains divided. Critics argue that Kimura’s interpretations are largely speculative, lacking the tangible evidence required for scientific consensus. According to a UNESCO report on submerged cultural heritage, underwater structures without artifacts are often mistakenly attributed to human origins when natural explanations are more plausible. Skeptics maintain that the formations are a result of natural geological processes, citing parallels with other submerged sites like the Bimini Road in the Bahamas, which has also been debunked as a natural formation.
Nevertheless, the Yonaguni Monument persists as a tantalizing mystery. Supporters of the artificial theory argue that conventional geological processes alone cannot explain the site’s unique layout. Moreover, the possibility of a lost prehistoric culture continues to inspire research and debate. Recent studies using advanced sonar mapping have only deepened the intrigue, revealing previously undiscovered sections of the structure. Yet, the absence of artifacts remains a critical obstacle to validating Kimura’s hypothesis. Whether natural or artificial, the monument has cemented its place as one of the world’s most captivating underwater enigmas.
In Monty Halls' Dive Mysteries, the team journeys to Yonaguni, Japan, to explore a vast, mysterious underwater rock formation. Discovered in 1986, the structure spans 40,000 square meters and features walls, steps, and potential carvings, leading to debate about its origin. Some believe it's a man-made monument, Japan's Atlantis, while geologists argue for a natural sandstone formation. The team explores the site, examining features and a nearby cave to determine when it submerged.
The video concludes that the Yonaguni monument's origins remain a mystery, yet it held significance for the island's ancient inhabitants.
In this video, Graham Hancock discusses his underwater explorations, highlighting sites like Nan Madol and the controversial Yonaguni Monument. He describes megalithic blocks and step-like structures at Yonaguni, attributing them to human construction. He mentions other underwater locations, including a stone circle in Kera, a rock wall in Taiwan, and structures off the coast of India, all of which he believes are artificial. Skepticism is presented by Flint Dibble, who suggests natural geological processes could explain these formations. Hancock references geologist Professor Masaki Kimura, who supports the theory of human involvement at Yonaguni.
The video presents a debate between differing interpretations of these underwater structures.
This documentary explores Japan's megalithic structures, suggesting an advanced prehistoric civilization far predating known history. It examines sites like Mount Nokogiri, an ancient quarry with precise cuts and colossal walls, and the Oya stone quarry, with its deep, parallel grooves. The video also discusses Ishi-no-Hoden, a mysterious floating stone, and the Yonaguni Monument, an underwater rock formation that may be the remains of a 10,000-year-old city.
The documentary questions the conventional timeline of Japanese civilization, proposing a connection to a global civilization with advanced technology.
This video documents the discovery of a colossal head-like structure in the jungle of Yonaguni Island, the same island where the controversial Yonaguni Monument lies underwater. The structure features distinct facial characteristics, including eyes and a mouth, and is identified as a "colossal Haijo-ketsu." While the video doesn't explicitly connect it to the underwater monument, the presence of this large, potentially artificial structure on the same island invites speculation about a shared origin or cultural significance.
The video explores the structure's features, including nearby petroglyphs and multiple carved faces, adding to the island's enigmatic appeal.
Ancient Megalithic Construction Beneath the Sea Off Ryukyu Islands in Japan, Submerged by Post Glacial Sea-Level Change, M. Kimura, 2004.
Archaelogy of Yonaguni Jima Japan, Miguel Angel Prieto, 1985.
An Enigmatic Ancient Underwater Structure Off the Coast of Yonaguni Island Japan, Robert M. Schoch, 1999.
An Illustrated Cosmology of Yonaguni Island, Ryukyus: A collection of daily prayers and songs for biocultural diversity and island sustainability, Yuji Ankei and Takako Ankei, 2023.
Japan's Ancient Underwater "Pyramid" Mystifies Scholars, Julian Ryall, 2007.
Yonaguni: Monumental Ruins or Natural Geology?, Carl Feagans, 2017.
Beneath the Waves: Unraveling the Mystery of the Yonaguni Monument (Wonders of Ancient Architect), Dr. Mark, 2025.
The Yonaguni Monument: Evidence of Ancient Civilizations?, Millicent Oconnor, 2024.
Voices of the Rocks, Robert M. Schoch and Robert Aquinas McNally Harmony, 1999
Yonaguni Underwater Monument (与那国島の海底地形), Japan National Tourism Organization.
Yonaguni Website (in Japanese), 一般社団法人 与那国町観光協会.
サーウェス ヨナグニ, サーウェス与那国.
Visit Okinawa Japan, Okinawa Convention and Visitors Bureau.