Approximately 3,200 to 3,250 years ago
Shara Mae Butlig - Yulo
30th of April 2025
"Not everything that is faced can be changed, but nothing can be changed until it is faced."
- James Baldwin
In the heart of Anatolia, between the silence of eroded citadels and the quiet hum of forgotten legends, there once rose a kingdom that listened to mountains. The Phrygians, often eclipsed in the annals of empire, were a people who threaded myth and power, sound and soil, into a civilization both bold and deeply musical.
They are remembered, if at all, through fragments—through a fabled King Midas, a knot that no blade could solve, and a land where music wasn’t just art but sacred memory. Yet beneath the legend lies a kingdom that stood at the crossroads of empire, balancing between Hittite ruins and Greek dreams, Anatolian gods and Persian horizons.
To remember Phrygia is not to chase glory—but to follow echoes. Their story, like their songs, was never meant to conquer—but to reverberate.
The Phrygians first appear in the wake of collapse. Around 1200 BCE, as the Hittite Empire fell and the Late Bronze Age unravelled, a migration of Indo-European peoples swept into central Anatolia. Among them were the Mushki, often associated with the early Phrygians. Some accounts trace their roots to Thrace, across the Aegean; others suggest deeper Anatolian continuity.
By the 8th century BCE, Phrygia had transformed into a powerful kingdom centered at Gordium, commanding the highland trade routes and fertile river valleys. This was the age of Midas, the golden king whose name would outlive the walls he built. Under his rule, Phrygia flourished, economically, politically, and culturally, serving as a bridge between eastern traditions and the rising Greek city-states to the west.
But their timeline, like their myths, is layered with both glory and abruptness. Around 695 BCE, Gordium fell to the Cimmerians, nomadic raiders who left fire in their wake. Though Phrygia would recover in smaller forms, eventually becoming a satrapy under Persia, it never reclaimed its golden age.
Yet even in later centuries, Phrygian traditions endured. They left behind sanctuaries, sacred rhythms, and the haunting image of a king who heard too much.
Phrygia was carved into the Anatolian plateau, where vast steppes met rugged hills and the earth held stories in stone. The kingdom's heart lay along the Sangarius River (modern Sakarya), where the capital, Gordium, rose in layers, mudbrick, timber, and myth. Surrounded by tumuli (burial mounds) and open fields, the city was both a ceremonial center and a strategic hub.
The landscape shaped the Phrygian spirit. The highlands made them hardy, the river valleys made them rooted, and the silence of the land turned their attention inward to sound, to symbol, to memory. Their rock-cut monuments, found throughout modern-day Turkey, speak in the same voice as their landscape: quiet, enduring, carved deep.
The Phrygian language, though Indo-European, remains only partially understood. Written in both an Old Phrygian script (inspired by the Phoenician-Greek alphabet) and Neo-Phrygian variations during Roman times, its surviving inscriptions are short, formulaic, and often religious.
These texts mostly dedications, curses, and prayers hint at a language both sacred and solemn. Even in their brevity, the words carry weight, invoking divine presence, memory, and ancestral lineage. Linguists have found kinship between Phrygian and Greek, but the full structure remains elusive like a melody we can hum, but not fully play.
In this way, the Phrygian voice lingers, less in sentence than in tone.
Phrygian kings ruled from Gordium, not with imperial decree, but with sacred legitimacy. Their authority was often tied to the land, to omens, and to divine favor. The royal seat was also a spiritual one, where rulers were seen not just as sovereigns, but as interpreters of fate.
Midas, the most famous Phrygian king, exemplified this dual role. While myth remembers him for his cursed golden touch, history recalls him as a powerful builder, trader, and political actor, one who sent offerings to Delphi and held influence over neighboring tribes and cities.
The throne, it seemed, was as much burden as gift. To be king in Phrygia was to hold the echo of past empires, to rule over bones and blessings.
At the core of Phrygian spirituality stood Cybele, the Mother of Mountains, known in later periods as Magna Mater. She was wild and unyielding, a goddess of fertility, wilderness, and ecstatic rites. Her worship involved drums, tambourines, and the haunting sounds of flutes, ritual music that shaped the very soul of Phrygian identity.
Temples to Cybele were often carved directly into cliffs, as if the mountains themselves were shrines. Her priests often eunuchs danced and bled in her name. The line between devotion and madness blurred, not as tragedy, but as transcendence.
Phrygian mythology wasn’t structured like that of the Greeks or Mesopotamians. It was more atmospheric woven into sound, symbol, and scarred stone. Their myths were not just told. They were heard.
Little survives of Phrygia’s legal structure, but what remains speaks of sacred boundaries and ancestral obligation. Many inscriptions invoke curses, on tomb raiders, oath-breakers, or those who dishonor tradition. Law, in Phrygia, was less bureaucratic than spiritual. To break a rule was to disturb a rhythm, offend a goddess, or silence a song.
Diplomatic ties were often sealed through religious exchange or symbolic offering like Midas’s gifts to Delphi. The Phrygians spoke not in legal clauses, but in gestures, and when the Cimmerians came, they left no archives to burn, only silence.
Phrygia’s power peaked through control, not conquest. Its influence spread through trade, diplomacy, and religious awe, not through endless war. Their armies, though capable, were rarely expansionist. The kingdom instead positioned itself as a cultural and economic crossroads.
Still, Phrygia’s military legacy is written in its ruins. The destruction of Gordium, its sudden burning and collapse, reminds us that even kingdoms of harmony must eventually face dissonance. And when the steppe riders came, music could not stop them.
The fall of Phrygia was abrupt. Around 695 BCE, the Cimmerians, fierce horsemen from the Eurasian steppes, stormed Gordium and shattered its quiet power. Midas, according to some versions, took his own life, unable to face a world where he had failed to protect the city he built.
But Phrygia did not disappear. Its gods, its rhythms, and its myths migrated into the Greek world, into Roman cults, into the stone-cut shrines of Anatolia that pilgrims still whisper into.
The Phrygian mode of music, named centuries later by Greek theorists, remained a scale of spiritual intensity. Their goddess Cybele would cross seas and empires. And the idea that a people could hear the earth and shape their lives around its voice would echo long after their fall.
Did Midas really turn things to gold? Was the Gordian Knot a real ceremonial binding or a metaphor too perfect to ignore? Did the Phrygians preserve Hittite secrets, hiding them in music, myth, or stone?
Some even argue that Phrygia’s most sacred sites its mountains and temples, were mapped to ancient energy lines, singing a geography only they could hear. The truth is half-whispered, half-lost, and fully alive in the symbols that remain.
The ancient city of Gordium, once the political and spiritual heart of Phrygia, lies near the modern-day village of Yassıhöyük in Ankara Province, Turkey. At first glance, it might just look like a quiet, empty field, but dig a little deeper (literally and historically), and you’ll find ruins that once held royal tombs, temples, and even the famous Gordian Knot. Today, visitors can still walk through what’s left of Gordium’s old citadel, imagining a time when this silent place echoed with music, myths, and rituals. Once a proud capital, it now stands as a quiet but powerful reminder of a civilisation long gone.
The Phrygians show us that you don’t need to build giant empires or wage endless wars to leave a mark on history. Their culture focused more on music, spirituality, and identity, things that can’t be measured by land or armies. Their beliefs helped shape later Greek and Roman ideas, and even today, traces of Phrygian thought can be found in music theory and spiritual traditions. They matter because they teach us the power of quiet strength, how culture and meaning can outlast politics and noise.
The Phrygians were one of the first people to use music as part of their religion. In worshiping Cybele, their Mother Goddess, they used flutes, drums, and lyres, not just for fun, but to help people feel closer to the divine. Their music wasn’t background noise, it was a way to feel something deeper. In fact, the Phrygian mode, a moody, emotional style of music, is still used today in everything from flamenco to film soundtracks. So if you’ve ever felt goosebumps from a haunting melody? You might just be hearing a little piece of ancient Phrygia.
The Phrygians weren’t loud rulers, but they built a world full of meaning, sound, and sacred stories. While history often praises the conquerors, Phrygia reminds us that listening, feeling, and believing can be just as powerful. Their kingdom may have ended quietly, but their echo still sings through ruins, legends, and music. Legacy doesn’t always need to shout. Sometimes, it just needs to be heard.
If music was sacred to the Phrygians, what does that say about how they understood the soul of a society?
How do we distinguish between a powerful civilization and a culturally influential one, and which should we strive to be?
Could the Gordian Knot represent modern struggles we overcomplicate when the solution is actually spiritual or symbolic?
What does the story of Midas teach us about the dangers of desiring more than we need, even today?
In a world driven by dominance and expansion, what would it look like to build a society on the act of listening instead of ruling?
In Season 4, Episode 2 of the Antiquities Travel Guide, hosts David and Tess journey through Turkey's rich historical landscape. Their exploration begins in Nicaea (modern-day İznik), renowned for its ancient city walls and as the site of the First Council of Nicaea. They then venture to Yazılıkaya, the ancient Phrygian city of Midas, where they examine the impressive Midas Monument, a 17-meter-high rock-cut façade adorned with inscriptions dedicated to the Mother Goddess Cybele. The site also features rock-cut tombs and cisterns, reflecting the Phrygians' architectural ingenuity.Concluding their tour, David and Tess visit Ankara's Museum of Anatolian Civilizations, which houses artifacts from various Anatolian cultures, and the Temple of Augustus, notable for its Monumentum Ancyranum inscription detailing Emperor Augustus's achievements. This episode offers a concise yet insightful glimpse into Turkey's ancient civilizations and their enduring legacies.
History with Cy
The Phrygians were an Indo-European people who settled in central Anatolia around 1200 BCE after the fall of the Hittite Empire. They established their capital at Gordion and rose to prominence by the 8th century BCE. Their most legendary ruler was King Midas, famous in mythology for turning everything he touched into gold. Historically, Midas expanded Phrygian power and maintained diplomatic ties with Assyria and Greece. The Phrygians had their own distinct language and artistic style, often blending local Anatolian elements with influences from the east. Eventually, their kingdom declined after invasions by the Cimmerians, and later, they became part of the Persian Empire. Despite their fall, the Phrygians left a lasting legacy through their myths, inscriptions, and contributions to Anatolian culture.
Take a 10-minute journey through Gordion, the ancient capital of Phrygia in modern-day Türkiye. Once a strategic hub along major trade routes, Gordion rose to prominence under the legendary King Midas. The site is famous for its massive burial mounds, ancient fortifications, and the myth of the Gordian Knot, an unsolvable puzzle allegedly sliced through by Alexander the Great. The video dives into Gordion’s archaeological riches, revealing traces of daily life, music, and art that hint at a refined and spiritual society. Despite its decline due to invasions and shifting power, Gordion’s legacy lives on in stone ruins and historical myth. Surrounded by the serene Anatolian landscape, this city offers not just ruins, but a portal into the values, stories, and innovations of an ancient world.
The Phrygians were a powerful Indo-European people who settled in central Anatolia after the Late Bronze Age Collapse. Believed to have originated from the Balkans, they founded their capital at Gordion, where the famous Gordian Knot legend was born. Rising to prominence around the 8th century BCE, their kingdom flourished under King Midas, whose mythic “golden touch” reflected real wealth and influence. The documentary explores their unique language, now only partially understood, and their massive burial mounds that reveal royal opulence. Phrygian religion blended Anatolian, Greek, and Indo-European traits—worshipping deities like Cybele, the mother goddess. Their art was bold, geometric, and symbolic, while their metalwork and textiles stood out in the ancient world. Though eventually conquered by the Persians and absorbed by Hellenistic culture, the Phrygian legacy lived on in myth, art, and the sacred landscapes they left behind.
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